公元前5世纪，在朋友们的劝说下，格奈乌斯·马修斯·科利奥兰纳斯尝试竞选执政官。然而，他所轻视的民众通过保民官西西涅斯对他表示反对。马修斯随即被指控叛国，为了保全自己，他决定投靠敌方。他即将进攻罗马，但被他的妻子和母亲劝止。在逃脱一次袭击后，马修斯发现真正的叛徒竟是西西涅斯……

A movie about sinners and their quest for salvation. But God is hard to find.

PATRIA (pronounced PAY-tree-uh), a 15-episode "preparedness serial" filmed by the Whartons in Ithaca, New York, in 1916, cast the Japanese, with whom we were not at war, as the villains in a spy story. Warner "Charlie Chan" Oland plays the chief villain, Baron Huroki, who is determined to gain munitions factory and "defense fund" heiress Patria Channing's vast wealth for Japan. Irene Castle and her husband Vernon were famous dancers in their era and introduced syncopated dance steps inspired by ragtime music into their act. Milton Sills, a popular silent movie leading man, did not live long enough to make it into sound films. Mike Rale, playing Huroki's right-hand-man Kato here, was a Wharton studio regular, and before filming PATRIA had just finished portraying the evil Master in THE MYSTERIES OF MYRA. The exploding boat scene was filmed on Cayuga Lake in Ithaca. Only reels from Episodes 2, 3, 4 and 10 plus a fragment from a later episode are known to survive of this serial. This video includes a summary of Episode 1 and the near-complete Episode 2. Some title cards, and the letter and telegram, not present in the found footage, have been reconstructed from the original novel. Also, Warner Oland's character name has been restored to "Baron Huroki" -- it was changed to "Manuel Morales" and he was referred to as a Mexican in a revised release produced due to a complaint by Woodrow Wilson regarding the portrayal of the Japanese in the original version of the serial. It was implied then in the revision that his army was also Mexican -- although clearly they were not. So to avoid the awkwardness of presenting scenes of actors in kimonos named Manuel and Juan, this restoration is being presented in a fashion more closely resembling the original release.

The life of Giorgio, a mediocre journalist, changes abruptly when the director of the newspaper decides to transfer him to a provincial office. Only the kidnapping of young Carlo gives him back his work as a correspondent.

There is a movie theater inside the hospital, but Stefano, 18, never goes there. Being hospitalized has made him increasingly apathetic, lonely, and grumpy. Until one night, when everyone else is asleep except him, someone appears in his ward determined to shake him up; someone who is afraid of nothing: the Hero.

Oscar and Arthur are two actors without fortune who survive unemployment with a routine street, where one represents the thief and the other to the police. Thanks to this performance are "hired" by Mr. Mauricio Tavares to play a practical joke on dangerous Don Antonio Robledo, a senior executive who suffer a fictional kidnapping for later culminate in a surprise party.

This film employing original film shots and photos of World War I. deals with the question of war and piece.

Giallo based on the true crime of Rita Squeglia, who killed her lover and hid the body in a suitcase.

The singer-songwriter Lucio Dalla seen through the eyes of the person closest to him in the last twenty years: Marco Alemanno. The tale of how they met and how he grew on a human, professional, and artistic level standing by Dalla’s side. And much more: daily and deeper aspects of his life, his love for Southern Italy, his passion for cinema, his relationship with music, his bulimic curiosity of launching himself into new artistic adventures, his mercurial energy and his boundless sense of humor.

暂无英文版的简介，请添加内容帮助我们完善数据库。